Category Archives: New York Times

Restored Edison Records Feature Bismarck and the 1800s [New York Times]

You haven’t heard it all until you’ve heard Bismarck and others from the 1800s. In my recent New York Times article, recently discovered Edison records and the work that went into identifying who is featured on those records is covered:

Restored Edison Records Revive Giants of 19th-Century Germany

Tucked away for decades in a cabinet in Thomas Edison’s laboratory, just behind the cot in which the great inventor napped, a trove of wax cylinder phonograph records has been brought back to life after more than a century of silence.

The cylinders, from 1889 and 1890, include the only known recording of the voice of the powerful chancellor Otto von Bismarck. Two preserve the voice of Helmuth von Moltke, a venerable German military strategist, reciting lines from Shakespeare and from Goethe’s “Faust” into a phonograph horn. (Moltke was 89 when he made the recordings — the only ones known to survive from someone born as early as 1800.) Other records found in the collection hold musical treasures — lieder and rhapsodies performed by German and Hungarian singers and pianists at the apex of the Romantic era, including what is thought to be the first recording of a work by Chopin.

Read the full story.

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Restored Recordings from 19th Century Offer the Sounds of Bismarck and Others [New York Times]

One of my hobbies is collecting and researching recording technology from the late 19th century and early 20th century, which represents some of the earliest recordings known. This hobby turned to a front-page New York Times article (Restored Edison Records Revive Giants of 19th Century) with the discovery and identification of late 19th-century cylinder recordings of Bismarck and other German notables:

The cylinders, from 1889 and 1890, include the only known recording of the voice of the powerful chancellor Otto von Bismarck. Two preserve the voice of Helmuth von Moltke, a venerable German military strategist, reciting lines from Shakespeare and from Goethe’s “Faust” into a phonograph horn. (Moltke was 89 when he made the recordings — the only ones known to survive from someone born as early as 1800.)

In June 1889, Edison sent Wangemann to Europe, initially to ensure that the phonograph at the Paris World’s Fair remained in working order. After Paris, Wangemann toured his native Germany, recording musical artists and often visiting the homes of prominent members of society who were fascinated with the talking machine.

Read the rest of the article to learn more about the technology behind the historical recordings, as well as other recent breakthroughs in our understanding of early audio technology.

Credit: National Park Service